Here is painting number 3 in a five-painting commissioned series. How I dearly miss tomatoes from my own garden! Still, this model served me well. With a little sea salt, it was a juicy snack.
The pomegranate has got to be the most complicated fruit in this area. We have a tree growing on our farm property--absolutely loaded with these amazing red orbs; yet, they are never ripe when I pick them and attempt to remove the innards. When they are clearly ready for eating, the bugs have already devoured massive quantities. Any advice for next year?
Hello, there! I've been a busy bee this last week and have neglected to post. Sorry! Here is the ivory soap painting in progress. I still need to touch up the cloth, tiles, and soapdish before adding bubbles and bling. I'm also working on a large 20x20 oyster and lemon painting (complete with cocktail sauce!!!). I'll post a photo of that piece--in progress--tomorrow.
This subject was an excellent choice for working with variations of white. Look closely and you will see others, though--notably, ultramarine blue. Since this reminds me of the colors of winter, I plan to use this as the January painting for my 2010 calendar which is almost ready for printing.
Would someone please tell me to keep my grubby hands off my paintings once I've signed them? Hubby hated the original background for this--even though I explained that it looked foggy and, hence, creepy for the upcoming Halloween season. Unfortunately, others agreed with him. (I hate admitting that he may have had a point and spent additional time agonizing over this predicament.)
This effort "breaks up" the gloomy fog" with a simple, diagonal line SLICING THROUGH IT as a knife slices through butter. Can I get more "Halloweenie" than that?
In honor of childhood memories and Halloween, here is my version of a candied apple. I tried to create that glossy, almost fluorescent surface and think I came pretty close. In addition, dentists of the world should rejoice--this painting is "easier on the teeth."
I craved Toll House cookies. I had to let the eggs come to room temperature. The result: warm, chewy chocolate chip cookies on a rainy afternoon AND a daily painting! Two for the price of one.
I adore this old board I found at my farm in Schulenburg, Texas. It gives this painting a "countrified" feel. The board itself, though, was a challenge to paint. Capturing the myriad of colors inherent in it took more time than painting the plum. (I got the most enjoyment from the pit!) I am truly pleased with my efforts on this one.
I must have too much time on my hands. (Actually, I'm procrastinating on designing my 2010 calendar....) I've changed the background of this empty clam shell to a more soothing, watery blue. Improvement or mistake?
Opposites attract--I'm a nervous Nellie, hubby is calm; I am a pessimist, hubby is an optimist; I get things done immediately, while hubby procrastinates. These peppers represent our marriage--spicy, yet mild--like many other couples we know....
Okay, this isn't my usual realistic style, but I haven't "practiced" in over a week. (Use it or lose it, right?) This is more impressionistic--maybe it will "speak" to someone out there.
This painting underwent numerous background changes last year before I settled on the two-part "mottled" green. I still wasn't pleased with the result and took the painting to an fellow artist (who is an expert framer) for advice. She designed this combination--vastly enhancing my piece. Needless to say, she fell in love with it and is now its proud owner.
I adore the background of this onion (the second attempt in the subject's existence). It has a "Tuscan" feel to it. More effort, but worth the results.
This is yet another one of my "3-D" art pieces, using acrylic modeling paste, fine garnet gel, and heavy gloss varnish for the surfaces of the water and mussel. I love the uneven surface and resulting texture--definitely a painting meant to be enjoyed through sight and touch.